The leaves are turning, the air is crisp, it’s time to get back in the studio and take a class with us!
Make your own Holiday gifts this year in one of our 6-week classes like Intro to Silversmithing , or Intro to Wax Carving
FALL+WINTER 2016 COURSE CATALOG
Michaela Turley is the designer and maker behind small jewelry brand, Mijatu. Working out of her home studio in New York City, she originally came from the sunny shores of Australia where she was constantly surrounded, and ultimately influenced by the strength and natural beauty of the environment around her.
LJS: What’s your background? How did you get into jewelry making, and when?
MT: I actually work in advertising, which whilst useful in some ways, is not at all related to using my hands with making jewelry! After recently moving to New York from Australia two years ago, I was looking for a hobby – stumbled across a jewelry making class and have become just slightly addicted since!
LJS: Describe your process, from inspiration to final product. Do you draw a design first or do you just start creating? Is it different everytime?
Michaela TurleyT: I utilize the lost wax process in creating all of my work, which suits the fluidity of my designs. My inspiration comes from nature, and it’s ability to create beauty from the smallest of details. I first sketch out the overall look of my design, usually with a few alternatives and then try to draw out a couple of other designs in other forms (such as a necklace or earrings if I’m starting with a ring) that builds out a potential line. If I’m happy with the overall look and feel, then I will jump straight into creating. The great thing with working with wax is that it can evolve as you are creating, which often means that the end result is usually a little different to my original sketch – but that’s what I think makes the design better, it evolves to where it needs to be, rather than constricting the design to a one dimensional sketch.
LJS: Do you ever hit creative road blocks? How do you remedy that?
MT: Yes! I think that’s what makes the process, and the design better. I welcome them, because once overcome, it makes me feel like the design is even better. When I do have them, I often flick back through my sketchbook – sometimes the answer has already been discovered, it’s just in a different form, or design.
LJS: What’s your favorite piece you’ve ever made?
MT: My favorite piece to wear is my circle necklace and matching circle studs in 14K gold – I carved each circle by hand and I love how effortless and simple they are. That being said, I am very proud of my Stella ring – it has an art deco feel to it and took a very long time to carve, but it’s intricateness is something that is very eye catching on.
LJS: What class(es) have you taken at Liloveve?
MT: Bezel Setting & Prong Setting
LJS: If you could collaborate with another designer/artist, who would it be and why?
MT: I would love to do a collaboration with small, emerging nature photographers like Vivian Chen – a lot of my designs are inspired by nature and the way they are able to capture raw yet beautiful elements is very inspirational.
LJS: Where do you exhibit / sell your work?
LJS: What’s your background? How did you get into jewelry making, and when?
JD: While working a corporate fashion job, I was looking for something to put more creative energy into. I wanted to start my own business and find more fulfillment in my work- It wasn’t until Sept/Nov 2015 where the medium became jewelry. I took the silver ring making intensive (admittedly, after a breakup) and was hooked from that point on!
LJS: Describe your process, from inspiration to final product. Do you draw a design first or do you just start creating? Is it different everytime?
JD: I’m most inspired by natural forms. I have a textile background so I tend to think of a sheet of silver as a muslin. I create jewelry much the same way- sometimes it’s “flat pattern” where I measure carefully before cutting. Other times it’s like draping techniques. I just start bending the metal and let it do something fun for me. I often draw before, but the process to the end result varies.
LJS: Do you ever hit creative road blocks? How do you remedy that?
JD: The creativity abounds on paper! More often than not I hit the road blocks in practice. Problems always lie in our expectations, right? I think the metal sheet or wire wants to play with me and be cooperative…but that’s not always the case. Fair enough, I was torching it with 1500+ degrees, I get it. The remedy for me is always to take a breather. Put it aside and come back to it when I’m not frustrated.
LJS: What’s your favorite piece you’ve ever made?
JD: I made an earring in the Hoops & Studs intensive that I call “the wave earring”. This is the perfect example of my ideal process- The sketch happened, the “pattern” cut out and the bending all came together very quickly and effortlessly. The process was almost as enjoyable as the end product and that, my friends, is magic.
LJS: What class(es) have you taken at Liloveve?
JD: Silver Ring intensive, Intro to Silversmithing, Wax I, Hoops & Studs, and am currently enrolled in Wax II – Stone Setting
LJS: If you could collaborate with another designer/artist, who would it be and why?
JD: I partnered with my dad to start the business and he’s very artistic and animated so that’s been really fun– as for a more “third party” artist…I think I’d have my little eye on a collaboration with Phetus. Check him out on Insta @phetus88 – I love how sweet and funny his monsters look! Wouldn’t it be cool to do some kind of micro-machines wearable version?? We’ll get there 🙂
LJS: Where do you exhibit / sell your work?
JD: My dad and I have been hiding our wares out in Tulsa, Oklahoma – trying out protos and getting our bearings on a production level, but we are aiming for an April 21 website launch. I am planning on showing in NY within the next couple months so keep a lookout!
I encourage all to subscribe to our mailing list to get the first look before public launch 4/21 at http://www.shopjenniferdunham.com
of course we’re on facebook at https://www.facebook.com/shopjenniferdunham/
and our insta is @shopjenniferdunham
We absolutely love Emilie Shapiro’s work so much. Not just her incredible use of natural stone elements and recycled metals but how she pairs them with contemporary techniques and experimentation that are incorporated into her work as a celebration of the beauty of natural imperfection. All production and resources are kept as local as possible, and every piece is handmade in Emilie’s studio in New York City.
She’s also one of our dear friends and a Liloveve instructor. Emilie has a fantastic book launching April 5th at Artist & Fleas, however we have her giving a lecture in Jewelry Production here at the studio April 2, check out more info here.
Here’s a fun Q & A we had with the talented designer:
Liloveve Studio: When did you first start making jewelry?
Emilie Shapiro: I started making jewelry when I was 13 and haven’t stopped since!
LS: What class(es) have you taught at Liloveve?
ES: I’ve taught just about everything but focus on wax carving, jewelry production and special techniques like keum boo and water casting.
LS: Where do you draw your inspiration when designing your work?
ES: Textures, color and movement in nature. I studied dance for twenty years and am very inspired by how the body moves and how pieces move with the body.
LS: Where do you exhibit / sell your work?
ES: My work is sold in galleries, museums and specialty boutiques nationally like Anthropologie, Sundance Catalog and The American Museum of Natural History.
LS: Have you been featured in any press?
ES: My work has been featured in publications such as Vogue Japan, Elle Greece and Brooklyn Magazine.
LS: What’s your favorite piece you’ve ever made?
ES: That’s a difficult question because it always changes! My current favorite piece is the mosaic wilted collar. The construction and movement of this piece are really wonderful.
LS: If you could travel anywhere, where would you go?
ES: Mars. I can’t even imagine the colors and textures you would find there….
LS: If you could collaborate with another designer/artist, who would it be and why?
ES: I think I’d like to time travel to meet my great grandfather Abe Parker. He was an inventor and designer, most famous for his invention of the blue dot light that were used as flash bulbs for cameras. I would love to work on lighting and large scale mechanical sculptures with him – so waiting until time travel is possible!
LS: What’s the most fun aspect of being a jewelry designer?
ES: Working with my hands every day is so satisfying. Being a designer connects me with so many interesting people and brings me to interesting places.
LS: Where can we see your work?
ES: http://www.emilieshapiro.com | @emilieshapirojewelry
Book Launch Event details / ticket sales – www.emilieshapiro.com/book/
Register for the Production Workshop with Emilie here
Here’s a slideshow of just some of her fabulous work!
Hi all!
This past Sunday – Tuesday was the jewelry industry’s MJSA Expo. I went to the Jacob Javits Center on Manhattan’s west side on a cold rainy Monday morning to check out what’s new and exciting in the industry. I’m so happy I did! Among all the new CAD programs and laser machines I found a handful of local vendors that I would happily recommend to our students here at the Liloveve Studio.
One of which was the amazing and unusual gems that Bill Gangi presented.
Here’s some cool pics!
Mar 23rd – May 4th (no class 3/30) | Wednesdays| 6-9pm | wax included + tool list | Register Now!
LJS: What’s your background? How did you get into jewelry making, and when?
HW: I have been a stay home mom ever since one year after I graduated from prestigious Parson’s school of design, I wanted to be a top notch high end fashion designer back then. Instead I spent the past 20 years build my family, I have 3 beautiful kids, and loving husband. Somewhere along the way I found out that my love was in metal, not fabric. It started when I was browsing Ebay back in 2007 and was fascinated with all the jewelries and with not much money in my hand to indulge my new obsession, I purchased a piece of handmade necklace, made by the seller, a necklace of multi-link opaque freckled earth tone square stones with hand cut grove all around and wire wrapping that fit in the grove and some wire pattern that later I found out were made by using a tool called jig. This the very first piece of jewelry that inspired me to start making my own, because I said to myself, I’m not gonna spend rest of my life drooling over my expensive obsession and get torn inside because I wouldn’t be able to afford it. So I came to a solution: I’ll make my own jewelry. After I tried to bend a piece of silver wire, and ball up the tip with a butane torch, I could never stop.
LJS: Describe your process, from inspiration to final product. Do you draw a design first or do you just start creating? Is it different everytime?
HW: I’ve been selling what I created on Etsy for 8 years and recently shifted direction to go pro and do wholesale. So the design process is very different before and after. But either way my inspiration is alway technique driven. Before, I make whatever I want to, randomly. Through out the years I’ve alway been self teaching, so Etsy became a great platform for me to learn, practice, and sell what I created. When I wanted to test out a new technique, I usually do lots of research and then I came up with what I wanted to do. I never sketched out ideas, just picked up my silver stock and start working, and I’ll say it’s the working process that inspired and guided me, and I let the design take shape gradually, step by step. It’s a painful process because some time it take lots of attempts, but I work till I can please myself. Now with enough skills and techniques to deliver the designs that’s truly original, I design with much clear direction, I plan out the whole collection before I start working. I will focus on one design detail and expand that concept to the whole collection, and I found its a very good way to keep your design cohesive.
LJS: Do you ever hit creative road blocks? How do you remedy that?
HW: This also has a before and after difference. Before when I sell on Etsy, I got creative road blocks all the time!! Main reason was lack of design direction, and also because of the mindset that I wanted my creation to be different. What I did was I had to see a lot, and I slept on it, and eventually I would get a light bulb. For now, I feel that I’ll never run out design idea! I already have 5 or 6 collections sketched out and only waiting to be turned into reality! I can’t wait! But I constantly look back to my random pieces I made before, because there were lots of originality in those earlier creation and I believe I can further expand and explore and turn those into collections.
LJS: What’s your favorite piece you’ve ever made?
HW: My favorite pieces I’ve ever made are very often the last piece I created. That makes me want to create me more. My favorite piece for now is the first project we did in the Introduce to Wax Carving class with Kate. It’s the biggest ring I’ve ever made, carved out in wax first then casted in silver. I had no idea what to make at the beginning, simply follow along the process until 30 minute before the session about to be done, I got the light bulb, and start carving these stripes and dents all around the ring. It turned out great. I was lucky I got it done on time. And now I want to explore more on that and work on a collection base on the same concept.
LJS: What class(es) have you taken at Liloveve?
HW: I took Introduction to Wax Carving class with Kate, and the Business for Designers workshop with Caroline.
LJS: If you could collaborate with another designer/artist, who would it be and why?
HW: I would love to collaborate with Jeanette K. Caines. I have been an admirer for years, and I’ve been saving money to take her classes! I’m fascinated with her intricate fusing and granulation on high karat gold technique. I’m more into metal smithing than stones I think that’s why!
LJS: Where do you exhibit / sell your work?
HW: You can view my work at wholesalecraft.com and my artist number is 28587. I will be also showing my latest collection and expecting 1 or 2 more collections. I’ll be in JA New York March show at the Jacob Javits Center.
Website: http://www.jewelyrie.com
Facebook: facebook.com/jewelyrie
Instagram: instagram.com/Jewelyrie
LJS: What’s your background? How did you get into jewelry making, and when?
LAE: I am Nigerian. Born and raised in the Northern parts of Nigeria. I have a Bachelors in Engineering from Nigeria and Master in Business and Innovation from Lancaster, UK and a Diploma in Gemstones from GIA. It has always been about the gemstones for me. They inspire me to create. I started collecting stones at a very young age and only started creating pieces with them in university/ college.
LJS: Describe your process, from inspiration to final product. Do you draw a design first or do you just start creating? Is it different everytime?
LAE: Inspiration for me comes mainly from gemstones. I am also inspired by where I come from and nature
LJS: Do you ever hit creative road blocks? How do you remedy that?
LAE: Yes I do. I just take short trips if I can or visit my favorite nature tumblr blogs.
LJS: What’s your favorite piece you’ve ever made?
LAE: It has to be the clustered pendant neck-pieces,
LJS: What class(es) have you taken at Liloveve?
LAE: The Gold Workshop
LJS: If you could collaborate with another designer/artist, who would it be and why?
LAE: I don’t know too many designers but I recently saw Hampley Design online. I would work with them because they have unique style and a similar inspiration to mine.
LJS: Where do you exhibit / sell your work?
LAE: I have exhibited in Nigeria, Ethiopia, Kenya and Washington DC. I plan to do more shows locally and internationally. They will be listed on my blog – myminastones.blogspot.com. I currently sell online at http://www.myminastones.com
LJS: Have you been featured in any press?
http://www.dailytrust.com.ng/news/general/gemstone-expo-slated-for-abuja/113440.html http://nannewsnigeria.com/jewellery-dealer-calls-establishment-gemstone-laboratory
Website: http://www.myminastones.com
Facebook: https://www.facebook.com/myminastones
https://twitter.com/minastones
https://www.instagram.com/mina_stones/ myminastones.blogspot.com
We met Juliana a couple of years ago when she started taking lessons with us. We’ve seen her work progress to the point of the launch of her jewelry line, Aster & Antics, and we couldn’t be more proud! Learn more about Juliana and her work below.
-When did you first start making jewelry?
I’ve been experimenting with beads, braiding, and knotting techniques for as long as I can remember. Growing up near the water, I would also make a lot of wire wrapped seaglass into pendants and earrings for myself and as gifts, but it wasn’t until a few years ago that I got into metalwork.
-What class(es) have you taken at Liloveve?
I’ve taken Intro to Silver, Wax Carving I, Flush Setting, Bezel Setting, and a few one day workshops.
-Where do you draw your inspiration when designing your work?
Much of my inspiration comes from the natural beauty of the earth and sea. I like taking an element that occurs naturally and re-imagining it into a design that’s new and unique, but that still maintains an obvious nod to nature. I’m also inspired by memories and past experiences, taking something so personal and turning it into something that other people can create their own meanings for.
-Where do you exhibit / sell your work?
I just launched my website and first complete collection! www.asterandantics.com
-Have you been featured in any press?
Not yet! 😉
-What’s your favorite piece you’ve ever made?
Favorite is hard, but a piece that’s close to my heart is my Barnacle Cluster Ring, which was the first piece I ever made in wax. I got so many compliments on it from people that I decided to refine it a bit and turned it into an extended group of designs in my collection.
-If you could travel anywhere, where would you go?
-If you could collaborate with another designer/artist, who would it be and why?
I would love to collaborate with someone like the artist Aurel Schmidt- she makes kind of dark, super intricate work that gets you thinking and errs on the bizarre. Also, the late MC Escher- I think the fluid, interconnected, maze-like patterns of his work would translate beautifully to jewelry.
-What’s the most fun aspect of being a jewelry designer?
Definitely being able to take the jumble of thoughts and ideas in my head and turn them into tangible, wearable pieces of art.
When did you first start making jewelry?
Jewelry making has been a hobby of mine since I was a little girl. I have a library of beads I have been collecting since childhood.
Designer, Elena Carey
What class(es) have you taken at Liloveve?
Over the spring I took the Intro to Wax Carving class and can’t wait to take more!
Stunning wax carved pendant by Elena
Where do you draw your inspiration when designing your work?
Much of my inspiration comes from ancient Roman, Ghanaian and Viking jewelry. Sort of a weird mix. I really like pieces that use natural materials and carry strong symbolic meanings.
Via Folkloric Jewelry
Where do you exhibit / sell your work?
I sell primarily at craft shows in NYC and the Hudson Valley.
Via Folkloric Jewelry
Have you been featured in any press?
On AMNY.com
What’s your favorite piece you’ve ever made?
Via Folkloric Jewelry
I call this piece “Dame Somebody.” I designed it while I was pregnant, and it references the story of a midwife who once delivered the baby of a fairy queen and the shenanigans that ensued. I love the raw yet refined qualities of these beads; Ethiopian brass and the beautiful turquoise stones. The turquoise is hand knotted on silk. This is one of my favorite techniques as I find it to be very meditative to do. I really enjoy designing pieces that have a combination of metal, stone and organic materials like silk or leather.
If you could travel anywhere, where would you go?
I’d love to spend time on the little islands that surround Ireland. I bet there are some beautiful pagan ruins and tales of faery folk only the locals know about.
If you could collaborate with another designer/artist, who would it be and why?
I love the dark, mysterious and whimsical work of Arthur Rackham. If only our timing were better! It would be exciting to create pieces of jewelry for all of the characters in his illustrations.
What’s the most fun aspect of being a jewelry designer?
Being able to make my creativity a commodity is an exciting challenge. I love going to markets and seeing my customers return to me, wearing pieces I’ve made. It is also so wonderful to receive letters from customers who wear my jewelry for special occasions, making me feel like my jewelry is now part of their own story.
Stunning handmade clasps via Folkloric Jewelry
Where can we see your work?
Via Folkloric Jewelry
Granulation is the exquisite and richly historic art of covering precious sheet metal in spherules or granules to create beautifully intricate textured metal jewelry. The technique is thought to have its origins in Sumer about 5,000 years ago. In the first millennium B.C. the technique was used by Etruscans living in present-day Italy. Greek craftsmen also employed the technique, but it was the work coming from Etruria which became famous, in part due to the mysteries surrounding the process. It has baffled scholars as to how the relatively primitive Etruscan’s could create such intricate and delicate pieces without any real solder. Some concluded that they fused the very high karat metal sheet and the free standing granuals with some kind of organic glue, such as fish paste, and high heat. In any case, it was quite a feat, and a technique we replicate with modern practices to create this beautiful jewelry.
This weekend Liloveve has the pleasure of hosting Jill Hurant as an instructor of our Granulation Workshop. Jill is a phenomenal jewelry designer who uses the granulation technique in her line. She employs incredible use of 22k gold paired with old world techniques like granulation, chain maile, & hand crocheting chains. Jill shows how this classical aesthetic can be applied to modern jewelry to create very unique and attractive pieces.
Jill will be here this Saturday + Sunday sharing here granulation expertise at the Granulation Workshop Click on the link for more information and to sign up!
Take a look at her beautiful creations!
LILOVEVE 